Oops I Did It Again Facts
| Oops!... I Did It Again | ||||
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| Studio anthology by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
| Studio |
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Over again | ||||
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Oops!... I Did Information technology Again is the second studio album by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Fourth dimension (1999), information technology is a pop, dance-pop, and teen pop record, the album incorporates a more than funkier and R&B sounds.[ane] Contributions to the anthology'south product came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its product, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over fifteen countries while peaking inside the top ten in various others. In the United States, it debuted at number one on the Billboard 200, with get-go-week sales of 1.39 million copies, condign the fastest selling album by a female artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This record was broken fifteen years afterwards by Adele'due south 25, which sold over 3.38 million copies in its first week of release.[4]It became Spears' second sequent album to be certified Diamond by the Recording Industry Clan of America, denoting sales of over x million copies in the Us, making Spears at age 18 the youngest artist to have multiple diamond albums.[5] With worldwide sales of over 20 million copies,[six] Oops!... I Did It Again is i of the acknowledged albums of all-time.
Four singles were released to promote the anthology. Its title rail was commercially successful in a number of territories, reaching number 1 in fifteen countries and peaking at number ix on the The states Billboard Hot 100. Its second single, "Lucky", peaked at number ane in Austria, Germany, Sweden and Switzerland, inside the top 10 in Australia, Belgium, Canada, Kingdom of denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number xx-three on the United states of america Billboard Hot 100. Its tertiary unmarried, "Stronger", reached the tiptop ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the U.k., and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilded certification in Australia, Kingdom of denmark, Germany, New Zealand, Sweden, and the United states. Its final single, "Don't Permit Me Be the Last to Know", was moderately successful on the charts, peaking at number ane in Romania, and within the acme ten in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several telly shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the kickoff time on Saturday Night Live. Furthermore, Spears embarked on a concert bout, entitled the Oops!... I Did It Again Bout, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and product [edit]
"When I did the first album, I had just turned xvi. I mean, when I look at the anthology cover, I'm like, 'Oh, my lordy.' I know this next album's going to be totally different--especially the material. I just got finished recording the outset six tracks in Sweden ii months ago, and the material is so much more funkier and edgier. And, of course, it's more mature because I've grown as a person likewise."
—Spears on the progression of her material for the anthology.[seven]
After vacationing for six days following the completion of the ...Baby One More than Time Tour in September 1999,[8] Spears returned to New York City to begin recording songs for her next album; the majority of the recording took place in Nov. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[ix] The songs "Oops!... I Did Information technology Again", "Walk on By" (later covered by Gareth Gates), "What U Run across (Is What U Get)", and "Don't Become Knockin' on My Door" were the starting time to be recorded at Martin's Cheiron Studios in the first week of Nov; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the vocal.[10] "Where Are You Now" was an outtake from ...Baby I More Time. "Girl in the Mirror" and "Can't Make You lot Dearest Me"'s instrumental rails and tune were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to tape Diane Warren'due south "When Your Eyes Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL appearance that solar day. "1 Kiss from Y'all" was also recorded at Battery Studios but was afterwards finished at 3rd Floor in New York City. Spears also recorded the last track for the album "Dear Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13]
By January, the and then-untitled album was halfway to completion; Spears had worked on it primarily in the Usa and Sweden, and finalized material in New York City.[9] She was heavily pressured later on ...Babe One More Time 's huge commercial success, stating: "It's kind of hard following 10 million, I have to say. Merely after listening to the new material and recording it, I'm really confident with it."[14] Upon the release of Oops!...I Did It Over again, Spears said: "I mean, of course there'due south some pressure", and added: "But in my opinion, [Oops!] is a lot better than the showtime album. Information technology's edgier – it has more of an attitude. It'due south more me, and I think teenagers volition relate to it more than." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did Information technology Again less than a yr and a half after Spears' debut amounts to "very smart timing. My philosophy is when you accept a young fan base, become 'em while they're hot."[15]
Music and lyrics [edit]
Oops!... I Did It Again was considered every bit a sequel to Spears' debut anthology, ...Baby I More than Time (1999),[1] percolating with a advisedly measured alloy of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the album has a more mature, R&B-flavored pop audio. "It's not something I inverse purposefully", Spears said of the album'southward sound and added: "It's just something that kind of inverse on itself with me being older. My voice has changed a trivial flake and I'm more confident, and I call up that comes across on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "Information technology's going to daze everybody", adding: "It has flavors of the original, just it'south a straight 2000 version — new to the ear. Which I retrieve is absurd, because people who appreciate that vocal are going to love it. And I made it so new and young that the young kids that love Britney are going to honey it. It's going to grab both a mature and immature audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Concluding to Know", telling MTV News: "When you hear the vocal, it's so pure and delicate. It's simply i of those songs that pull you in", and added: "I think they wrote it 'specially for me, because the lyrics of the song, if yous actually mind … they're more of what I can chronicle to, 'cause they're kind of young lyrics, I think. I don't retrieve Shania would probably sing some of the words that I'thou proverb."[17]
The championship track and opening vocal, "Oops!... I Did It Again", was compared to her debut single, "...Baby One More Time" (1998), featuring a slap-and-popular bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears alarm to an overeager prospective lover: "Oops, you call back I'g in love/That I'grand sent from above — I'1000 not that innocent."[18] The song too breaks down for a spoken-word interlude, involving a line from the motion-picture show Titanic (1997).[18] The second track "Stronger" is a synthpop[19] and R&B-infused track,[17] which is lyrically a annunciation of independence, where Spears leaves a partner who treats her like holding.[twenty] The line "my loneliness own't killing me no more" makes reference to the poetry "my loneliness is killing me" from her vocal "...Baby One More than Fourth dimension".[17] Another R&B-infused track, which too adds a bit more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging alee after a breakdown.[20] The fourth runway, a comprehend of the Rolling Stones' "(I Can't Become No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry out, crackling lockstep is thrown downwardly, turning the vocal into an urban stomp.[21] The dance-pop version besides jettisons the song'south final verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should be").[22] "[Information technology] was my idea [to record the song]", Spears said. "I was just like, 'I like this song,' and I think information technology will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song similar that."[13] The fifth rails, "Don't Let Me Be the Concluding to Know", was co-written by state-pop singer-songwriter Shania Twain and her and then-husband, producer Robert "Mutt" Lange, who also produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of land twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear it straight from you lot", she sings.[17]
The sixth track "What U Come across (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the seventh track, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[20] "If there's nothing missing in my life/So why do these tears come at night?", she asks.[19] "School trounce" is the theme of "1 Buss from You lot",[20] a rail that has a reggae-style beat and lyrics nearly the feelings of falling in honey, and the quickness of it,[23] with Spears cooing that afterward but one buss she sees her entire future with her lover.[24] The ballad "Where Are Yous Now" talks almost wanting to know where a previous dear is, and what that person is upwards to, so that she tin can finally let them go and discover closure.[ citation needed ] Lines on "Can't Brand You lot Love Me", a Europop song,[21] state that fancy cars and money stake in comparison to true love,[20] with Spears singing: "I'm just a girl with a beat out on you lot."[21] The mid-tempo, synth-backed "When Your Optics Say Information technology", written by songwriter Diane Warren, combines a string department with a loping hip hop beat out,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven carol "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "and then much more than friends" with a boy.[17]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming anthology in Europe with alive performances of her by songs. She appeared on Boom Hits in the United Kingdom.[25] In Italian republic, she did a short interview on the television set prove TRL Italian republic in early 2000.[25] and gave a surprise operation in Paris in May 2000.[26] In Australia, Spears appeared on The Firm of Hits and Russell Gilbert Live on May 13.[25] In Espana, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at big venues in the United Kingdom, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Loonshit. She was accompanied past NSYNC, who toured with her during a brusque Britain outing in Oct 2000.[26]
Oops!... I Did It Again was kickoff released in Nihon on May 3, 2000, and was later released in the Usa on May 16. In the Usa, Spears appeared on Saturday Night Live on May 13, The Rosie O'Donnell Bear witness on May 15, and Teen People's 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical guest on NBC's Sat Night Live. She also performed on NBC's The This evening Show with Jay Leno on May 23.[28] Spears' held her mail service-TRL listening political party, "Britney's First Listen", on May 16, and was toast the inflow of her album on next Tuesday's installment of TRL that started at 3:thirty p.one thousand. (ET).[29] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Over again" on MTV'south All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September vii, at the 2000 MTV Video Music Awards in New York Urban center at the Radio Metropolis Music Hall, Spears gave a memorable live performance.[thirty] which included a embrace of the Rolling Stones's striking unmarried "(I Can't Get No) Satisfaction" (1965) and her ain striking "Oops!... I Did It Again", released earlier that year. While she began her segment in a black arrange, she shocked the audience and the media while, at only the age of 18, ripped it off to display a revealing, flesh-colored phase outfit with hundreds of strategically placed Swarovski crystals.[31] Ane month before the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Play a joke on television special titled Britney Spears in Hawaii. The complimentary concert was held on the embankment in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did Information technology Again album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in support of Oops!... I Did It Over again, and on May 2, she had a printing event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at eight p.k. (ET/PT).[34] She was too expected to appear on a Grammy-day TRL.[34]
The album's supporting tour, the Oops!... I Did It Again Tour, visited Due north America, Europe, and Brazil every bit office of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Terminal to Know". On June 24, 2000, Spears was featured in a print and boob tube advertising campaign for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own song for the make chosen "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears'south fifty-urban center summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did Information technology Again" was released as the lead single from the album and achieved worldwide popularity. It became Spears'due south third pinnacle-x striking single on the US Billboard Hot 100, peaking at number 9; however, in comparison to the huge success of her debut single "...Baby One More Time", Jive Records considered "Oops!... I Did It Again" a pocket-sized disappointment.[36] The song peaked at number 1 on the US Mainstream Meridian 40,[37] holding the record for the most radio additions in one mean solar day. "Oops!... I Did It Over again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the Britain.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the sea at the end of Titanic.[39]
The anthology'south second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Federal republic of germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[40] In the United States, "Lucky" only managed to peak at number 20-three on the Billboard Hot 100 chart and at number nine on the Mainstream Top 40.[36] The "glittery" music video sees Spears equally the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]
The tertiary single, "Stronger", was released on October 31, 2000 and became the album's second highest-charting single in the United States, peaking at number xi on the Billboard Hot 100 and number one on the Hot Unmarried Sales.[36] It reached number seven on the UK Singles Chart.[42] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]
The 4th and last single, "Don't Permit Me Be the Terminal to Know", was released on March 12, 2001 and is i of Spears' favorite tracks of her career. In the United States, the song performed well below expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Superlative 40. However, the vocal attained success in Europe, topping the Romanian Top 100 and peaking inside the peak x in Austria, Poland and Switzerland, while only missing the top 10 in Germany, Republic of ireland, Sweden and the Uk, peaking at number twelve in all of them.[44] The music video was considered also racy at the time, portraying Spears in dear scenes with her fictional boyfriend, played by French model Brice Durand.[45]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say Information technology" was released in the Great britain in January 2001.[ citation needed ]
Disquisitional reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[47] |
| Review scores | |
| Source | Rating |
| AllMusic |   [ane] |
| Billboard | favorable[sixteen] |
| Christgau's Consumer Guide |  [48] |
| Entertainment Weekly | B[21] |
| Los Angeles Daily News | [49] |
| MTV Asia | 8/10[fifty] |
| NME | 8/10[nineteen] |
| Rolling Stone |  [22] |
| Salon | favorable[51] |
| Sonic.net | [52] |
Oops!... I Did It Once again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "by and large favorable reviews".[53] Giving the album iv out of five stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-popular that made 'Ane More than Time'," simply remarked that, "Fortunately, she and her production squad not only accept a stronger overall set of songs this time, only they also occasionally become carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album character apart from the well-crafted trip the light fantastic-pop and ballads that serve as its heart. In the end, it'southward what makes this an entertaining, satisfying heed."[one] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that tin't exist conjured with a glass-shattering note," praising the anthology for consistently cast[ing] Spears equally a young woman coming to terms with her inner power—and that's a darn good message to offer an impressionable audition."[xvi] Amusement Weekly'southward David Browne gave the anthology a B-rating, writing that the anthology "reminds us once once again that the all-time new pop tin can exist a blast of cool air in a stifling room."[21]
Rob Sheffield of Rolling Stone gave the anthology a three-and-a-half out of five stars rating, calling the anthology "fantastic pop cheese, with much better song-factory hooks than 'North Sync or BSB get", as well noting that "the great thing almost Oops!, nether the cheese surface, is complex, fierce and downright scary, making her a true child of rock & roll tradition."[22] A author of NME reported that "she'southward modern-day popular perfection realised in a nearly, homo form", commenting that "she's washed it over again."[19] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of form, extensive media exposure."[50] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message simply for the fashion information technology applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more than mixed, calling it "a joyless chip of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and contrasted Swedes."[54]
Accolades [edit]
Commercial operation [edit]
In the United States, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its showtime day of release.[60] Information technology debuted at number one on the Billboard 200 nautical chart, with start-week sales of one,319,193 copies.[61] [62] [63] With its success, Spears held the tape for the highest first-week sales by a female person artist.[64] This record was held for 15 years, only to be surpassed in November 2022 by the anthology 25 by Adele, which sold over 3.38 million albums in the The states in its first week.[four] The album vicious to number two in its 2d week, with boosted sales of 612,000 copies.[65] It held this position for fifteen sequent weeks.[66] [67] Past its 5th week of availability, Oops!... I Did It Again had sold over 3 million copies and had passed five million copies past August.[68] On its seventeenth week on the chart,[69] information technology was certified septuple Platinum past the Recording Industry Clan of America (RIAA) for shipments of seven million units.[seventy] [71] The album spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the Us Catalog Albums.[72] Oops!... I Did It Over again debuted at number lxxx-ii on the European Pinnacle 100 Albums, and quickly peaked at number one;[73] it sold over four 1000000 copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did Information technology Again reached number two on the Great britain Albums Chart,[38] selling 88,000 copies in the starting time week of release; it remained in the top five for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its first week.[75]
It topped the French Albums Chart[76] and the German Offizielle Top 100, also being certified triple Platinum by the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de fifty'Édition Phonographique (SNEP)[78] and triple Platinum past Bundesverband Musikindustrie (BVMI),[79] cogent shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the anthology debuted at number 2 on the Australian Albums Chart, and spent ten weeks in the top twenty;[80] it became the fourteenth highest-selling of 2000 in the state and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year later shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Once again opened at number three on the New Zealand Albums Nautical chart and was certified Gilded subsequently just one week on the chart.[83] The Recording Manufacture Association of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Again became the third best-selling anthology of 2000 in the The states, selling 7,893,544 albums co-ordinate to Nielsen SoundScan[85] and fourth acknowledged album according to Billboard Year-End of 2000.[86] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[87] [88] Besides, the album landed at number twenty-vii on BMG Music Lodge all-fourth dimension best-sellers list with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 million).[89] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did Information technology Over again sold 2.5 million copies in its first week (2d highest first calendar week sales by a female creative person worldwide) and sold 15 1000000 copies by the end of the twelvemonth. It was the acknowledged female anthology and tertiary best selling album of 2000. The album has sold 20 one thousand thousand copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U Run into (Is What U Get)" and "Tin't Brand You Love Me" are "near identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song chosen "What You See Is What You Get" in 1999 to 1 of Spears' representatives for consideration on a future album, though it was rejected.[91] The instance was afterward dismissed after information technology was ruled that they lacked sufficient evidence and that in that location "weren't enough similarities between the two songs to testify copyright infringement."[92]
Rail listing [edit]
| No. | Title | Author(southward) | Producer(southward) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Again" |
|
| iii:31 |
| two. | "Stronger" |
|
| 3:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| iv. | "(I Can't Get No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Let Me Exist the Last to Know" |
| Lange | 3:fifty |
| half dozen. | "What U Run across (Is What U Get)" |
|
| three:36 |
| seven. | "Lucky" |
|
| 3:26 |
| 8. | "Ane Kiss from Yous" | Steve Lunt |
| 3:23 |
| 9. | "Where Are You lot At present" |
|
| 4:39 |
| x. | "Can't Make You lot Love Me" |
|
| three:17 |
| xi. | "When Your Eyes Say Information technology" | Diane Warren |
| iv:29 |
| 12. | "Love Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(southward) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| iv:06 |
| 13. | "Dear Diary" |
|
| ii:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say Information technology" | Warren |
| 4:06 |
| 12. | "Daughter in the Mirror" | Elofsson |
| 3:36 |
| xiii. | "You Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| fourteen. | "Dear Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Championship | Author(south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say Information technology" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "Y'all Got Information technology All" | Holmes | White | 4:10 |
| 14. | "Middle" |
|
| three:31 |
| 15. | "Beloved Diary" |
|
| ii:46 |
| Full length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Let Me Be the Last to Know" (Album version) | three:50 |
| 2. | "Don't Permit Me Exist the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| three. | "Don't Let Me Be the Last to Know" (Hex Hector Lodge Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Evidence Edit) | 5:21 |
| five. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| half dozen. | "Oops!... I Did It Once again" (Music video) | 4:eleven |
| 7. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| nine. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Full length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| one. | "Oops!... I Did It Again" (Music video) | 4:20 |
| 2. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did It Over again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | 4:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Full length: | 25:25 | |
Notes
- Rails iv, "(I Tin can't Get No) Satisfaction" is a embrace of the 1965 Rolling Stones single.
- ^a signifies a song producer
Personnel [edit]
Credits adapted from AllMusic.[100]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, song engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, blueprint
- Mark Seliger – back cover, cover photograph
- Larry "Stone" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal organisation, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Cistron Orloff – violin
- Marion Pinhiero – violin
- Marti Sugariness – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – groundwork vocals
- Audrey Martells – background vocals
- Nana Hedin – groundwork vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – groundwork vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-finish charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Meet also [edit]
- List of acknowledged albums
- List of best-selling albums by women
- List of best-selling albums in the Us
- List of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did It Once more has sold ix,201,000 copies in the United states according to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[90]
References [edit]
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- ^ "Guld- och Platinacertifikat − År 2002" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17.
- ^ "The Official Swiss Charts and Music Community: Awards (Britney Spears;'Oops!... I Did It Once again')". IFPI Switzerland. Hung Medien.
- ^ Copsey, Rob. "Albums turning xx years former in 2020". Official Charts Company. Retrieved 9 January 2020.
- ^ "British album certifications – Britney Spears – Oops!... I Did It Again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did Information technology Again in the "Search BPI Awards" field and and so press Enter.
- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato's 'X'-cellent Sales". Billboard . Retrieved Apr fourteen, 2022.
- ^ "American anthology certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Once more!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon
- ^ "Oops!... I Did It Again (Special Great britain Edition)". AllMusic. October nine, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Once again [Japan 2001 Bonus Tracks]". AllMusic. Feb 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Again Commonwealth of australia Special Edition w/Bonus Disc of Remixes And Videos". Tape Runner USA . Retrieved Baronial 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again 20th anniversary edition motion picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Merely Hits. Year by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29
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